Claudia A. Gabanich

The Aster Archive

A reader's codex to The Aster Legacy

Compiled from what the Academy writes down, what it refuses to write down, and what the Novices believe anyway. Sealed passages are marked. Break them at your own pace.


OneThe Eight Bloodlines

Eight named bloodlines. Seven of them sit on the Council of Seven. The body is called the Council of Seven because that is its name, not because it is a count of the living houses.

HouseSeatThe tellKnown for
VossViennaSlate-greyDiplomats and fixers. The ones who make the Council's dirty work look like policy.
KorvinianBudapestSteel-greyRecords and custody. Staffs the recording chamber alongside the Cama.
DrakosCreteSea-greyShipping, salt and long memory.
AsterionRomeObsidian-darkThe Headmaster's house.
CamaMumbaiPale-flintBanking. Scribes of the recording chamber.
PaziaMombasaIce-paleMagistracy and the letter of the law.
KonoeKyotoNear-black, amber-caughtMedicine, and the keeping of likenesses.
Kaviani Shiraz None

Three houses are grey

The tell runs in the blood, which is what makes it a tell and not merely a feature. It is also why the modifier carries the whole distinction. Voss is slate. Drakos is sea. Korvinian is steel. Say simply that a man has grey eyes and you have told a room at Aster nothing at all, which is occasionally the point.

One house has no tell, and in a society that reads ancestry off a face, that absence is louder than any colour.

A bloodline is not a single household. Each of the eight has thrown off branches over nine centuries, and a branch that travels far enough tends to take the name of the place that received it.

The art-house of Vidauban, at Marseille, is such a branch. It is Korvinian by blood, though the split is old enough that no living archivist can draw the line between the two, and old enough that the tell no longer breeds true there. The steel-grey surfaces in some Vidauban faces and passes over others, which is one reason the kinship is so easy to miss. The senior Korvinian presence at Marseille thinned generations ago, and the art-house took up the local standing it left behind: the neutral table, the discreet money, the quiet ability to make a provenance agree with itself.

The Budapest seat is untouched by any of this and holds its chair on the Council still. What Marseille inherited was not the seat. It was the room.


TwoThe Council of Seven

The governing body of the houses. It sits away from the mountain and it does not explain itself. What it can do is not written on any wall, but every student learns it by the end of a first year.

Like any convened body it requires a quorum, and a body that cannot convene cannot act. Absence, therefore, is a move. The houses know this, and a Council that has been kept from sitting is a Council that has been answered without a word spoken.


ThreeThe Senate of Aster

The Academy's own body, and a thing separate from the Council entirely. It is made of Year-Four Inheritors, it meets in the Senate Hall, and a Novice who enters its wing after curfew without a clearance code is not making a mistake so much as a statement.

The seat is won, not inherited

Being an Inheritor makes a student eligible. It does not seat them. Seats are contested and counted, and a Year-Three spends a good part of the spring calculating how many votes the autumn will require. It follows that the Senate is larger than the roster of houses, and that a house may hold several chairs in a strong year and none at all in a bad one.

Seats run on a rotation, which means a seat is a term, and a term is a thing that can be spent. A favour called in at the wrong moment costs the next rotation. Senators are careful people for this reason and not, generally, for better ones.

Voss is a house. Senator is a chair. The two are not the same thing, and the Hall is scrupulous about the difference in a way the corridors never are.

What happens in the Hall

The chamber is circular and floored in the same warm limestone as the fortress, with the portraits of past Inheritors ranged along the upper gallery. There is a public gallery, and there is a clerk, who has charge of the chamber's apparatus and a longer memory than anyone seated. A member holds the floor, or yields it. Yielding transfers the right to speak. It transfers nothing else, and in particular it does not transfer the protection of the person who yielded.

The Senate convenes at a called hour. It does not sit continuously, and outside those hours it is a room.

What the Senate cannot do

It cannot punish. Expulsion runs to the Council, never to the Hall. The Senate deliberates, it votes, and it keeps a record, and that is the whole of its power.

Which is a narrower power than it sounds and a far more dangerous one. The Senate cannot sentence anybody. What it can do is make a thing heard by seven houses at once, in a room with a clerk in it, so that the Council's silence afterwards becomes a decision the Council has to own.

The number of seats, the length of a term, and who takes the chair have never been written down outside the Hall. There are students who consider this an oversight. There are archivists who consider it the single most deliberate act of record-keeping in the fortress.

FourThe Archive, and what the clearances open

Three floors down, and colder than the corridors above it by a margin nobody has ever satisfactorily explained. The Archive is the oldest working part of the fortress and the only one that keeps a record of who has walked through it.

Two things about it are certain, because both are written down where students can read them.

Everything between those two facts is corridor knowledge. What follows is what the Novices say the levels are. They are confident about it. They are also, on at least one rung, wrong.

LevelHeld bySaid to open
0Novices, first and second yearThe open stacks, and nothing beneath them.
1Year-Three and aboveThe lower stacks. The first door that is shut from below.
2Year-Four, Inheritors, SenatorsThe Senate wing after curfew. Working access to house papers.
3Adepts, faculty, the Archivist's scribesSealed holdings. Entry logged by name.
4Adepts by grant. Council members by right.
5The Archivist, and the Council in sessionThe recording chamber. The logs, and the logs of the logs.

Clearance is not judgment

The distinction matters more than the ladder does. A clearance code opens a door. It does not make the person who walks through it entitled to what is behind it, and every senior in the fortress can tell the difference at a glance. Students who say I have clearance in a certain tone of voice have usually just told the room that they do not.

Note also what the Archive records. Entries are logged, the logs are themselves restricted, and a house that wants to know who was in a given room on a given night has only to be senior enough to ask. More than one Aster career has ended on a timestamp.


FivePrecedence, or who can overrule whom

The houses have laws. They are named for the house that carries them, and a house may invoke its own law and no other.

If I invoke the Lex Voss regarding the safety of the Novice cohort, they cannot refuse me without triggering a public inquiry into the Council's competence.

Four things sit inside that sentence, and between them they are most of the constitution of this world.

The order of precedence

In a convened chamber, after the hour is called, precedence runs in four steps.

At midnight, in an unconvened room

None of it holds.

Precedence is a property of a convened body, and it exists only while that body is sitting. In a stone chamber after curfew there is no floor to hold, no clerk to write anything down, and therefore no protection worth the name. A Senator alone in a corridor at midnight is a student alone in a corridor at midnight, and every dangerous hour in the history of this fortress has happened in exactly that gap.

Which is also why a quorum is worth so much and guarantees so little. A convened body must hear a thing. It is under no obligation whatever to believe it, and the record will show only that the report was read.


The Archive is added to as the books are. If something you wanted is missing, it is either not yet written down, or it is written down somewhere you do not have clearance for.